#Film saraswati chandra songs movie

Vadi or the most used note of this Raag is SВ and Samvadi or the second most used note of this Raag is P. Aaroh / Ascent of this Raag is S R G M P D N б№ В and Avroh / Descent of this Raag is б№ N D P M G R S. The specific time period for this Raag during which it should be rendered is 2nd Prahar of the day (9 AM - 12 PM). Jati of this Raag is Sampurna - Sampurna. But should they be completely trampled and disregarded (even today) without any concern? I believe the film helps approach the question.Raag Charukesi is taken into Hindustani music from Carnatic Music. This is said not forgetting the alienating realities which women have had to face because of these same traditions, don't get me wrong. I have the impression there is still something to be said for those marriage and widowhood traditions.

#Film saraswati chandra songs movie

The question to be asked is: does the movie succeed in showing their worth, despite everything we might feel today (after 42 years of modernity)? In this perspective, then, the film is a meditation on the values of traditional marriage rules. So if Nutan was OK with the role, you could criticise her for having accepted the role, but the style and genre of the movie belong to the director and also in part to the novelist (Govardhanram Madhavram Tripathi). In this classic tale of love and heartbreak, Saras and Kumud are soulmates who are repeatedly denied the joy of being together. But as far as I'm concerned, an actor does what the film-maker wants him to do, that is, once he or she has accepted to be part of the film. Saraswatichandra: With Gautam Rode, Jennifer Winget, Varun Kapoor, Anshul Trivedi. I don't know whether actors in India have (or had) a say as to what the film would be, its atmosphere, its plot etc. Something that would make Nutan as sparkling as she was in her other films. I wanted a unique ending, something that would leave an indelible mark. I know it is a safe bet, but I was expecting a different romance that would stay on with me. So, why on earth is the film dedicated to the man in her life? After all, when the end credits roll, everyone is lauding her sacrifice and the accomplishment of her duties. Saraswatichandra is a safe social drama that should have been christened Kumud, keeping in mind the actions of this girl. Why couldn't Kumud take care of her infant brother-in-law as Chandra's wife? Why wasn't she brave enough to listen to the call of her heart? Why did she have to resign to what the society decided for her? And, why spoil three lives when two people could seriously have been very happy? With so much working for the lead pair, why on earth does everything go wrong? I also nod in acquiescence when Kumud's guardians want her to be happy with Chandra. I want the taboos broken, I want the untried tried and I want a happy ending. And, when Kumud's subconscious actually accepts Chandra as her lover and the only man who she can love, I start crossing my fingers. Also, there are times when Chandra tries to convince Kumud that they are destined to be together. There are numerous occasions when Kumud and Chandra could have united.

But then, what would have happened of this tale if he would have done so. But then, if I may ask, why does Chandra have to abdicate everything and leave? He should have stood his ground and recognised his duties towards his beloved. The listless lover is too joyous to notice that his evil stepmother is instigating his father against him.

With so much love Chandra just waits for his nuptials to take place. Some of the classic songs by Kalyanji Anandji for Saraswatichandra are. And, surprisingly Mukesh's rendition is quite magical! Directed by Govind Saraiya, Saraswatichandra was the last Bollywood film made.

A mellow yet sensuous song that only clarifies the intense attraction between the two young lovers. It's as if she is trying to pacify the flames of her youthful desires in the serenity of the water. Indivar's lyrics in this period were marked by. What a wonderful way of starting a song! Kumud's dupatta is teasingly held by Chandra and she, swept with shyness, submerges herself in the lotus pond. This was followed by the memorable music of Saraswatichandra, Johnny Mera Naam, and Sachcha Jhutha. The high point of the much-awaited union of Saraswati and Kumud is the song Chandan sa badan, a fantastically sensual number, depicting the true intensity of Chandra's love and attraction for Kumud.